The idea of props refers to a group of tools. Tools, on the other hand, are utensils, instruments, or tools that have some sort of utility (i.e., have a purpose).
The props are called, thus, the elements that are used in the television, in the cinema and in the theater to complement a staging. The props, costumes and sets allow the performance to unfold in front of the audience.
For example: “I liked the play, although the props looked a little bad” , “We will have to invest money in the props” , “All props are manufactured in the theater workshop” . A cup, a bottle, an umbrella, a mirror, a television and a suitcase can be part of the props. The importance of these objects depends on each work: in some cases, they hardly form part of the set, while in others they are fundamental to the development of the story. A mirror can be placed on a wall without the characters paying attention to it. But it can also become essential to the plot if a character sees through it that someone approaches with the intention of attacking them, leading to a fight scene. It is important to note that scripts generally do not require a specific type of props, despite mentioning and describing various elements of the scenes. This opens the door to a wide variety of directors, as each can contribute their own vision of the story. Although there are certain limiting elements in the works, such as time and the contemporaneity of certain real historical events, directors usually take as many licenses as they can to take their works to the stage or the big screen. This is often seen in opera, especially since the end of the last century. Given the decline in popularity of certain operas that have been performed hundreds of times, such as the well-known “The Barber of Seville”, “La Traviata” and “Lucia de Lammermoor”, some régisseurs (those responsible for making decisions related to the image staging, among other fundamental aspects) began to opt for scenarios that seemed to have little in common with the text, and this divided the audience into two well-defined groups. Although in some cases the differences between the props traditionally used for a play and the one that a revolutionary director chooses to give it a new life are not so drastic, sometimes public discontent centers on a matter of “taste”. : Change the look. The type of clothing and the characteristics of furniture and firearms is one thing, but too often the aesthetic is violated by presenting stagings that lack color, depth or harmony.
It is possible to distinguish between the following three types of props: * Emphatic: in this group is everything that is essential for the plot and for its understanding by the public. For example, the dagger with which one character kills another; * Hand or character : these are all the objects that the actors must manipulate, such as a book, a cane or a glass of water; * scene : the elements that remain in scene throughout a scene, or the representation as a whole. For example, a window or a lamp. In the field of sports, the set of elements used by players in competitions and training is known as props: t-shirts, cleats, balls (balls), etc. The person in charge of looking after and managing these elements is useful to each team.